China, Gérard Depardieu and Catherine Deneuve star as members of a French theater company living under the German occupation during World War II in François Truffaut's gripping character study. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city's poor and sick. With a radical take on narrative, disturbing yet beautiful cinematography, and a highly sophisticated use of on- and offscreen sound, Martel turns her tale of a decaying bourgeois family, whiling away the hours of one sweaty, sticky summer, into a cinematic marvel. Prey for the devil showtimes near clinton 8 theatre clinton ia. Balancing physical action with Buddhist musings on life and death, the most spiritual of the Lone Wolf and Cub films finds Ogami's combat skills put to the test by five different warrior-messengers. King's Blues Club and Grill, 243 West 42nd Street, Manhattan, (212)997-4144; $22 in advance, $25 at the door.
At 9, Mercury Lounge, 217 East Houston Street, at Ludlow Street, Lower East Side, (212)260-4700; $10. M., Radio City Music Hall, (212)247-4777, ; $29. Determined to collect an inheritance from a dying relative, a bourgeois couple travel across the French countryside while civilization crashes and burns around them. 1 Bowling Green, Lower Manhattan, (212)514-3700. A little Neil Simon revival you might have heard of, starring Nathan Lane and Matthew Broderick as Oscar and Felix. 'GRIZZLY MAN' (R, 103 minutes) Werner Herzog's bold, enthralling documentary about one man's journey into the heart of darkness (and the belly of the beast) traces the life and strange times of the self-anointed grizzly expert Timothy Treadwell. He is matched note for note by the fabulous Stephanie Blythe, as Mistress Quickly, who almost steals the show. 'EVERYTHING IS ILLUMINATED' (PG-13, 104 minutes) From Jonathan Safran Foer's novel, a sentimental Holocaust tale; tender and funny in places, but also thin and soft. That American Indian art can provide the same aesthetic and emotional pleasure as European and American Modernism is the premise of this show, made up of 200 objects from the Charles and Valerie Diker Collection. Prey for the devil showtimes near clinton 8 theatre.com. Sol Lewitt and Alexander Calder meet striped bikinis and rubber chickens.
Barry Le Va: '9g-Wagner: Variation II' A large work that was featured in Mr. 7:30 p. m., Joe's Pub, at the Public Theater, 425 Lafayette Street, at Astor Place, East Village, (212)539-8778 or (212)239-6200; $20. Master noir craftsman Jules Dassin's dazzling police procedural _The Naked City_ was shot entirely on location in New York. A hit at the 2003 Fringe Festival, Ben H. Winters and Stephen Sislen's musical is about two best friends and the rocker who comes between them (2:00). Winner of both the Academy Award for best foreign-language film and the Cannes Film Festival's Palme d'Or, Marcel Camus' Black Orpheus (Orfeu negro) brings the ancient Greek myth of Orpheus and Eurydice to the twentieth-century madness of Carnival in Rio de Janeiro. Prey for the devil showtimes near clinton 8 theatre clinton iowa. M., Frederick P. Rose Hall, 60th Street and Broadway, Jazz at Lincoln Center, (212)258-9595; $105. In Akira Kurosawa's _Seven Samurai_ (_Shichinin no samurai_), sixteenth-century villagers hire the eponymous warriors to protect them from invading bandits. The play's elements bring to mind those tidy topical melodramas that were once so popular. Europa_ is one of the great Danish filmmaker's weirdest and most wonderful works. The thriller is slated to bring in $7 million on its opening weekend, expertly timed ahead of Halloween, according to Deadline. New York Theater Workshop, 79 East Fourth Street, East Village, (212)239-6200. But if you are going to court comparison with giants, you had better be prepared to stand tall. Yet Shohei Imamura refuses to make a victim of her, instead observing Tomé as a fascinating, pragmatic creature of twentieth-century Japan. SEX MOB (Thursday) The irreverent four-piece led by the slide trumpeter Steven Bernstein tackles one of its favorite themes, James Bond movie music, with the help of the keyboardist John Medeski.
It immerses us in two enormous, endlessly fascinating narratives: the history of painting and the history of Russia itself, forming a remarkable tribute to the endurance of the medium and the country, and the inescapable interconnectedness of art and life. 1071 Fifth Avenue, at 89th Street, (212)423-3600. 'EAST MEETS WEST' (Tomorrow) The excellent violinist Daniel Hope is often heard at the Metropolitan Museum of Art performing standard repertory as a member of the Beaux Arts Trio, but here he opens the Met's season on a much more eclectic note. The latest production of this comedy by the unstoppably prolific Alan Ayckbourn is about three couples and takes place over three holiday seasons (2:30). For the second week in a row, "Black Adam" accomplished a Herculean feat, taking in $7. Is a true family affair, achieving a sense of of lived-in intimacy by casting the actor's real-life relatives, including daughters Charlotte Gainsbourg and Lou Doillon, as themselves. The Oscar-winning The Times of Harvey Milk, was as groundbreaking as its subject. Farber's son Sam (William Hurt) sets out on a journey around the world in order to "see" and record the various stations of his mother's life for her. A bonk on the head, a sick jacket, and a career in stage magic later, DSS is a delightful slapstick caper.
The police round up a handful of possible suspects and interrogate them, one by one, each account bringing them closer to the killer. 'JUST LIKE HEAVEN' (PG-13, 95 minutes) Reese Witherspoon's disembodied spirit haunts Mark Ruffalo in a real estate dispute that runs into a sweet romantic comedy. Dispensing with her theatrical signature numbers, she weaves 16 songs new to her repertory into a funny running monologue of her adventures in and out of show business. DCP, 35 mm, 16 mm, Blu-ray, DVD. Luc Dardenne and Jean-Pierre Dardenne. Highlights include a sweet, glossy cartoon painting of a hippopotamus by Adrian Ting; a tenderly painted portrait of a cherubic demon by Elizabeth Olbert; a painterly Pop-style picture of a Bromo Seltzer bottle from 1984 by Walter Robinson; and aggressively physical abstract paintings by Suzanne McClelland, Gary Stephan and Josh Smith. Gold stars all around. BEBEL GILBERTO (Tonight through Sunday night) Bebel Gilberto, the daughter of the bossa nova singer João Gilberto, updates bossa nova with touches of electronics and substitutes her own ebullience for her father's preternatural coolness. Beaumont Theater, Lincoln Center, (212)239-6200. But their idyll is disturbed by the presence of the bohemian Haydée, accused of being a "collector" of men. An agonizing portrait of desperate Japanese soldiers stranded in a strange land during World War II, Kon Ichikawa's _Fires on the Plain_ is a compelling descent into psychological and physical oblivion, and one of the most powerful works from one of Japanese cinema's most versatile filmmakers.
'Pop Politics Power' In this measured but intense three-artist show, Martha Rosler offers a continuation of her 1967-72 photomontage series "Bringing the War Home"; Carolee Schneemann is represented by both a new film and by her mesmerizing 1965 "Viet Flakes, " in which a rush of grainy black-and-white war photographs looks like smoke billowing from a volcano; and Robert Boyd introduces two spooky videos about doomsday religious cults, past, present and (probably) future. When Katharina Blum spends the night with an alleged terrorist, her quiet, ordered life falls into ruins. This exhibition, featuring media-saturated collages and sculptures by Michael St. John, and single works by 10 others, is worth a visit, too. Apichatpong Weerasethakul brought an appetite for experimentation to Thai cinema with his debut feature, an uncategorizable work that refracts documentary impressions of his homeland through the surrealist concept of the exquisite corpse game. North American Premiere · Q&As with Kelly Reichardt and Hong Chau on Oct. 5 & 6. Independent Exhibitors Continued. M., and 12:30 a. m., Smoke, 2751 Broadway, at 106th Street, Manhattan, (212)864-6662; cover, $25, minimum, $10. If not, Will Eno has just invented it.
John Huston's ambitious tackling of Malcolm Lowry's towering, "unadaptable" novel Under the Volcano follows the final day in the life of self-destructive British consul Geoffrey Firmin (Albert Finney, in an Oscar-nominated tour de force), on the eve of World War II. East 13th Street Theater, 136 East 13th Street, East Village, (212)279-4200.
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