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That's a tall order when you consider that the 'lowly' GCPH is actually an outstanding phono preamp. To encapsulate what I'm hearing from the Slee Elevator paired with the Reflex compared to a couple of really nice sounding step up transformers is this; the Slee provides better and more natural dynamics. Synergy is everything. Outstandingly, the Accession was able to sustain its superb dynamic tracking regardless of how many instruments were playing. I have never heard a $59 cartridge sound this good, that's for sure. I'l....... 89: RE: Graham Slee Reflex M vs ASR Basis Mini phonostage (14. I'll try it someday. The Era Gold V works wonders with moving magnet and high output cartridges. My life got tons easier. Makes you focus on the musi....... 148: RE: Most transparent phono stage for under $2k (12. Non Mainland locations - Isle of Man, Isle of Wight, the Scilly Isles, the Scottish highlands and Islands, the Channel Islands and Northern Ireland may take a day or so longer and are not Free of Charge. I have owned a Graham Slee Era Gold V and a JLTI (Vacuum State). Cue up a naturally recorded orchestral LP and just after the lead-in grooves you immediately hear the sound of the hall, followed by the instruments imbedded in and emerging from within its overall acoustic. That's what I've always used as a starting point, but depending on the LOMC, this is somewhat of a crapshoot as to what sounds best with which cartridge.
Posted by pronco on 2010-02-17, 15:26:10 (70. I can give you my opinion about Graham Slee Revelation+Elevator compared to the Tron Seven tube course this is all cartridge/tonearm/TT excells with low output carts and....... 27: RE: Graham Slee online shop UK (17. Posted by Lew on 2009-10-01, 10:30:32 (150. Both units are shown in the photo at the top of this story.
It is probably the most high performance valve like sound available in solid state. But I'm not going to be too much help in telling you what they are. Since you already seem to prefer the ss devices, have you considered the well regarded Graham Slee offerings? Working through my vast stable of different arms, tables, and cartridges showed the Accession's transparency to the source to be as exalted as the rest of its performance virtues. My experience with 'passive' preamps, dating back to the 1990's when they first appeared, to my most recent auditions, has proven largely disappointing. Enter your search criteria. Posted by Lance Shevchuk on 2014-04-02, 09:52:18 (72. Hello folks, I prefer those who have experienced below both, to comment on their sonic characters, similarities and differeces. But given the amplification of the phono signal required, I've had more success wi....... 188: RE: Grado cartridges - need help/opinions (10. Noise at output: -73dB CCIR Q-pk; EIN: -114dB. All of this is just fine with Nels as he has wanted to play around with a low output cart for a while.
The Graham Slee Reflex M is a 2009 updated version of the classic reflex, designed for use with MM or high output MC cartridges, with the option of the standard power supply or better PSU1. I bought a Reflex M from him six months ago and love it to death. Even without the burn in (I'm told I need to run it 100 - 200 hrs) it sounds pretty good........ 73: Re: Where is the love for MM? Technical Specifications: We endeavour to despatch same day for orders placed up to 2pm on available stock items (items with stock message "Usually dispatched within 24 hours"). When you visit the Slee website, you can see that Graham has designed the EXP to a truly wide bandwidth amplifier. Sonically, their family signature includes high neutrality, accuracy, and transparency: each individual preamp limited only by the cost of the parts and circuitry practicable within its price point. Honestly, I haven't counted my collection in recent memory but I've got to be topping 3500 albums. Posted by 1973shovel on 2022-07-13, 05:43:00 (71. Both of these are manual settings as the Dr Feickert Protractor doesn't address those two items but his Adjust Plus software can precisely help you set the azimuth. I think you would be delighted if you decided to "go upscale" and get "The Reference1....... 161: RE: Who Has A Tube TT And A SS TT (11. A non-technical & subjective answer. He says leave it on, all the time.
The highs are nice but are a little rolled compared to the Slee Elevator. Accession MC/Enigma, Accession MM, Reflex M, Elevator EXP, Era Gold V. Solo ULDE, Novo, Lautus USB and digital, Libran balanced, CuSat50. W: 107 x H: 50 x D: 180 (mm) inc. jacks. The characteristics of a truly accurate component include speed: it must be able to track the fastest transient a musical instrument can produce. Would you suggest I try something different (within reason - I work for an American Auto Company....... 75: Vinyl One by Art Audio (14. The ASR is more....... 147: RE: What's a good phono amp for this setup? Needless to say, that should cover just about everything. Moving on to the Graham Slee Reflex, after visiting the website and talking to Graham, I see the Reflex has gone though a couple of changes since I started using mine.
I'm a solid state man. Ah, I should've seen that coming. I enlisted the bulk of my turntable/arm/cartridge stable in my auditions, using both tube and solid-state amplification systems. Now simply read the X and Y axis of the scale to set your overhang based on the effective length of your arm. Parallel Op-amps give a seamless class "A" bias envelope. Great service and great prices. The main 'difference' I have noticed is that the Era Gold seems to have a slightly darker audio signature, without quite as much 'openness' but this is very subtle - a bit like listening to a pair of planar speakers vs a high quality closed box type. The Accession offers an unusually clear and transparent window of the front end driving it and thus presents a reliable picture of front end quality. I've never had the reason to directly compare transformer to a head amp. The differences will in some cases be obvious, while in others more subtle.
The sheer beauty of the sound of many instruments (regardless of what they were playing) was reproduced with a natural ease that bordered on the ravishing. Combined with a good SUT or head amp they're wonderful with LOMC cartridges. If your phono stage does not have the required gain for LOMC cartridges, you can use a step-up transformer in lieu of buying another phono stage. Worth it........ 28: Slee & CineMag is a great combo (17. As I compare the sonics, the bass is quite good. Thanks for the kind answers! Knowing the Soundsmith retip uses a Line Contact stylus profile which digs every detail out of a groove, I start to think about something with either a spherical or elliptical stylus profile. If you have quality vinyl and a good phono stage, the surface noise almost completely is inaudible even at high volume levels on the band between songs. I've been a moving coil guy since 1979, when I bought my first new turntable... a mediocre Garrard, paired with an Ortofon MC20, which I still own. The Dynavector 507 MkII and its bayonet mount lets me swap cartridges out in less than three minutes and in the case of the Soundsmith, it weighs (with the headshell) the same as the Yamamoto. 3mv)........ 78: RE: Congratulations.
I can say one thing with complete certainty, I was wrong. So after all that typing I'd bet you had no idea where I was going, did you? Today I put together a system of low/mid-fi inherited stereo equpiment for my mom. Me, I'm extremely happy to add the Soundsmith rebuilt Dynavector to my ever growing stable of cartridges. I love the Era Gold V which is a notch lower than your Reflex. I doubt you'll best the 834p at that price. Thanks for sharing the improvement. Posted by ckniker on 2007-08-01, 08:01:05 (65.
Please just ask – we will need a full delivery address and telephone number. Product Description. Then came time for overhang. A point to add - comparing the technical specification of products gives no real indication of how they'll sound in practice (unless, I suppose they are at extremes). Little Houghton, S72 0HS. Posted by on 2008-11-19, 16:23:36 (91.
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