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'2046' (R, 129 minutes) An ecstatically beautiful story in which time is marked not by the hands of a clock, but by the women who pass through one man's life, "2046" is the eighth feature film from the Hong Kong director Wong Kar-wai and the long-awaited follow-up to his art-house favorite "In the Mood for Love. " Al Hirschfeld Theater, 302 West 45th Street, (212)239-6200. The pleasantly droney pop rockers the Oranges Band open. RON BLAKE QUINTET (Wednesday) "Sonic Tonic" (Mack Avenue), Mr. Blake's most recent album, goes deeper than most hybrids of jazz, funk and soul; here the tenor saxophonist leads a group featuring the exploratory pianist Michael Cain. Vivre sa vie_ was a turning point for Jean-Luc Godard and remains one of his most dynamic films, combining brilliant visual design with a tragic character study. Movie Times by Zip Codes. Prey for the devil showtimes near clinton 8 theatre movies in clinton ia. Andrew Lau Wai-keung and Alan Mak.
Dick Valentine can howl with the best of them, but it remains to be seen whether lineup changes will affect the high energy level. This is a brilliantly economical and observant tale of a boy's troubled moral awakening. Richard Rodgers Theater, 226 West 46th Street, (212)307-4100. Prey for the devil showtimes near clinton 8 theatre festival. Kazuo Hara's interest in iconoclastic figures living in opposition to mainstream society led him to begin work on A Dedicated Life, an intimate, fly-on-the-wall portrait of the controversial writer Mitsuharu Inoue, a sometimes charming, sometimes combative, often frustrating novelist esteemed as one of postwar Japan's literary lions. A very personal, whimsical exhibition by this well-known Japanese photographer, who incorporates into his own work artifacts that he has collected over the years, particularly from East Asia and Japan. The blind swordsman wanders into a town to celebrate the New Year.
'DIRTY ROTTEN SCOUNDRELS' On paper this musical tale of two mismatched scam artists has an awful lot in common with "The Producers. " She meets a sportswriter, and the two develop an unlikely relationship. LMAKprojects, 526 West 26th Street, No. Premiere · Q&As with Cristian Mungiu on Oct. 9 & 10. BILL CHARLAP TRIO (Tuesday through Oct. Prey for the devil showtimes near clinton 8 theatre.fr. 16) Bright and breezy yet unfailingly precise, Mr. Charlap, the pianist, has come to exemplify jazz's modern mainstream. With _Vampyr, _ Danish filmmaker Carl Theodor Dreyer's brilliance at achieving mesmerizing atmosphere and austere, profoundly unsettling imagery was for once applied to the horror genre. Cranky Professor Henry Higgins (Leslie Howard) takes a bet that he can turn Cockney guttersnipe Eliza Doolittle (Wendy Hiller) into a "proper lady" in a mere six months in this delightful comedy of bad manners, based on the play by George Bernard Shaw.
Rome Open City is a shockingly authentic experience, conceived and directed amid the ruin of World War II. Wearying of his wandering lifestyle, Zatoichi yearns to settle down; unfortunately, when he does so it's in a town overrun by yakuza. En route, she becomes haunted by a bizarre apparition that compels her toward an abandoned lakeside pavilion. Bernardo Bertolucci's _The Last Emperor_, about the life of Emperor Pu Yi, who took the throne at age three, in 1908, before witnessing decades of cultural and political upheaval, won nine Academy Awards, unexpectedly sweeping every category in which it was nominated. 'PATIENCE' (Tonight, Sunday and Wednesday) City Opera's fast-moving, juiced-up version of "Patience" offers Gilbert and Sullivan's comic screed against aesthetic and intellectual presumption. David Maysles, Albert Maysles, and Charlotte Zwerin. It immerses us in two enormous, endlessly fascinating narratives: the history of painting and the history of Russia itself, forming a remarkable tribute to the endurance of the medium and the country, and the inescapable interconnectedness of art and life. In 1986, Louis Malle set out to investigate the ever-widening range of immigrant experience in America. The trusty old Pearl Theater presents Ibsen's play, a cocktail of realism and expressionism about an architect reflecting on his own drive to succeed (2:20).
King's Blues Club and Grill, 243 West 42nd Street, Manhattan, (212)997-4144; $22 in advance, $25 at the door. Soon he is engaged in dangerous efforts to fight oppression and indignity. 333 East 47th Street, (212)832-1155. Monday) This jam band plays the sax and guitar reggae-inflected rock beloved by fans of the Dave Matthews Band. Premiere Cinema Corp. NYFF's showcase of the season's most anticipated and significant films. Zatoichi treks to a village that has always been a favorite spot of his, only to discover that it's become a living hell, plagued by feuding father and son yakuza as well as the younger crime boss's bodyguard—Toshiro Mifune's scruffy, smart-mouthed, cash-hungry Yojimbo of legend. This spirited picaresque, evocatively shot in England's rambling countryside and featuring an extraordinary ensemble cast, was a worldwide sensation, winning the Oscar for best picture on the way to securing its status as a classic of irreverent wit and playful cinematic expression. Angel_ beautifully captures the color and power of the New Zealand landscape. This season is beginning more conventionally.
GRETCHEN PARLATO GROUP (Thursday and Oct. 7) Ms. Parlato is a cosmopolitan jazz singer who keeps unfailingly good company; the guitarist Lionel Loueke, the pianist Aaron Parks and the drummer Kendrick Scott make up her working band, and share her ties to the trumpeter and composer Terence Blanchard. But all possible escape routes lead straight to hell—literally. For his feature debut, Rainer Werner Fassbinder fashioned an acerbic, unorthodox crime drama about a love triangle involving the small-time pimp Franz (Fassbinder), his prostitute girlfriend, Joanna (future Fassbinder mainstay Hanna Schygulla), and his gangster friend Bruno (Ulli Lommel). Among the most influential films of the postwar era, Roberto Rossellini's Journey to Italy (Viaggio in Italia) charts the declining marriage of a couple from England (Ingrid Bergman and George Sanders) on a trip in the countryside near Naples. On the lam, Pépé is safe from the clutches of the police, until a Parisian playgirl compels him to risk his life. Luc Dardenne and Jean-Pierre Dardenne. For her award-winning breakthrough film, director Gillian Armstrong drew on teenage author Miles Franklin's novel, a celebrated turn-of-the-twentieth-century Australian coming-of-age story, to brashly upend the conventions of period romance. M., the Theater at Madison Square Garden, (212)465-6741; $55 to $130. 7:30 and 9:30 p. m., Jazz Standard, 116 East 27th Street, Manhattan, (212)576-2232; cover, $20. SOME LIKE IT WILDER: THE COMPLETE BILLY WILDER (Through Nov. 13) The Museum of the Moving Image is sponsoring a 26-film retrospective of Wilder, the Austrian-born director and writer who gave the world "Sunset Boulevard" and "Double Indemnity. " A darkly comic portrait of late Thatcher-era London, High Hopes examines the different lives of a pair of siblings: Cyril (Philip Davis), a caustic motorcycle courier who takes pride in his working class roots, and Valerie (Heather Tobias), a high-strung aspirant to upper-middle class materialism. Then arrives Chloé, an audacious, unencumbered old flame. M., 55 Bar, 55 Christopher Street, West Village, (212)929-9883; cover, $5. Tonight and tomorrow night at 7:30, Sunday afternoon at 2:30, Amato Opera, 319 Bowery, at Second Street, East Village, (212)228-8200; $30, $25 for 65+, students with ID, and children.
Sam Fuller's _Shock Corridor_ masterfully charts the uneasy terrain between sanity and madness. Screen Reader Users: To optimize your experience with your screen reading software, please use our website, which has the same tickets as our and websites. 'AN UNFINISHED LIFE' (PG-13, 108 minutes) This contemporary Western starring Robert Redford, Jennifer Lopez and Morgan Freeman is a solemn, sentimental bore that suffocates in its own predictability and watered-down psychobabble. 'PROOF' (PG-13, 100 minutes) A terribly serious adaptation of David Auburn's prize-laden Broadway play, starring Gwyneth Paltrow as the daughter of a dead mathematician struggling to come to terms with both her father's legacy and her own troubled mind. In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. 'OLIVER TWIST' (PG-13, 130 minutes) Roman Polanski's take on Dickens's classic emphasizes the darkness and cruelty of Victorian society.
I Live in Fear_ presents Toshiro Mifune as an elderly, stubborn businessman so fearful of a nuclear attack that he resolves to move his reluctant family to South America. M., Maxwell's, 1039 Washington Street, Hoboken, N. J., (201)653-1703; $15. Yet Shohei Imamura refuses to make a victim of her, instead observing Tomé as a fascinating, pragmatic creature of twentieth-century Japan. After returning to Los Angeles from France in 1979, Agnès Varda created this kaleidoscopic documentary about the striking murals that decorate the city. Following a mysterious series of personal ads seeking a meeting with a woman named Susan, Roberta decides to rock her suburbia boat and see the fascinating woman in person at the most recent location in the paper. A few of David Nehls's dozen ditties raise a hearty chuckle, like the valedictory anthem in which the show's heroines collectively vow to "make like a nail and press on. " JENNIFER MULLER/THE WORKS (Tonight through Sunday) The company celebrates 30 years with "Essentially Muller, " presenting classics like "The Spotted Owls" and the recent "Flowers, " as well as several premieres. Kati Outinen is memorably impenetrable as Iris, whose grinding days as a cog in a factory wheel, and nights as a neglected daughter living with her parents, ultimately send her over the edge. In "Telling Tales, " this choreographer collaborated with various partners to produce a dance diary. Raffaello Matarazzo. JOHN ELLIS (Monday) A saxophonist and bass clarinetist, Mr. Ellis spent more than a few formative years in New Orleans, a fact that suffuses his loose-limbed recent album "One Foot in the Swamp" (Hyena). Part rite of spring, part poetry, the piece is a collaboration with the poet and architect Robert Kocik, the composer Kenta Nagai, the visual artist Catarina Verde and the lighting designer Thomas Dunn. Q&A with Todd Field, Cate Blanchett, Nina Hoss, Sophie Kauer, and Hildur Guonadóttir on Oct. 3 · Intro by Todd Field, Cate Blanchett, and Nina Hoss on Oct. 4. Set to the music of Antonio Vivaldi, Jean Renoir's ravishing, sumptuous tribute to the theater involves a viceroy who receives an exquisite golden coach and gives it to the tempestuous star of a touring commedia dell'arte company (the vivacious Anna Magnani).
Following the gorgeous, seemingly liberated Adriana (Divorce Italian Style's Stefania Sandrelli) as she chases her dreams in the Rome of La dolce vita, I Knew Her Well is at once a delightful immersion in the popular music and style of Italy in the 1960s and a biting critique of its sexual politics and culture of celebrity. SMART DUMB is a comedy showcase featuring Portland's funniest up and coming comedians. The Double Life of Véronique_ is an unforgettable symphony of feeling. The penitentiary warden on duty, Daijiro (Michitaro Mizushima), is accused of negligence and suspended, only to take it upon himself to track down the killers. Something of a late-career companion to 8½, Federico Fellini's penultimate film is a similarly self-reflexive (and self-deprecating) journey through both the director's dream life and his cinematic world—which are, here as always in Fellini's work, inextricably entwined. A landmark of Black and American independent cinema that would send shock waves through the culture, Sweet Sweetback's Baadasssss Song was Melvin Van Peebles's second feature film, after he walked away from a contract with Columbia in order to make his next film on his own terms. With unprecedented access, Kopple and her crew captured the miners' sometimes violent struggles with strikebreakers, local police, and company thugs. His comrades then turn on him and, his sense of honor shaken, he decides to live in the wild, like an animal.
In this incendiary environment, we find Home Army soldier Maciek Chelmicki, who has been ordered to assassinate an incoming commissar. "My journey to Tokyo was no pilgrimage. Premiere · Q&As with Ashley McKenzie and Sarah Walker on Oct. 1 & 2. This dagger-sharp drama won the Golden Bear at the Berlin Film Festival and was an important early entry in the French New Wave.
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