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The cellos were in front of me and the horn section was over my right shoulder and further off to the right. Rhapsody in Blue on the piano: the notes of both hands. In 1963 i played the arrangement you have which was copyright 1924. So, he decided to put a microphone on the banjo to blend it in with the rest of the orchestra the way he felt it should be heard.
In my research I have found that it is hardly ever performed live with a banjo, so I am curious as to how many of you tenor players have ever done this, and also curious if any of you 5-string players have ever attempted this with an orchestra. Customers Who Bought "Little" Rhapsody In Blue Also Bought: -. Our moderators will review it and add to the page. It was just an absolute work of art. I've seen a version of this piece being played with a performer on 6 string banjo. Rhapsody in Blue is written in the key of D. Open Key notation: 3d. I don't suppose you could upload a photo of your score that shows the copyright? There are some wonderful orchestration examples in the work that many have heard, but still bear examination. Gershwin composed both for Broadway and for the classical concert hall. Imagine the opening chords of George Gershwin's "Rhapsody in Blue" sung by an ethereal chorus of spot-on Beach Boys-style harmonies. The third element is another theme that is also presented earlier in the work, but here it is played by the high horns reinforced by the clarinets. To top it off, the conductor conducted with her elbows way out, and with all that extra motion it was like watching two football games at the same time.
Debussy's music generally thwarts traditional (i. e., tonal) analysis, but there are five parallel major chords in mostly descending chromatic movement. For in that sleep of death what dreams may come. They introduce an ascending chromatic series of minor triads in open fifths, with the second flute filling in the minor third on the second eighth note of each beat. Not sure what evidence there is to support that statement, since there aren't any modern recordings available with a banjo in the mix. Its accents on the final eight note of each two bar phrase add a different kind of new color to the new tonal center. Congratulations on accomplishing what you hoped to do, showcasing the banjo, a bit, into the mix. I would argue that Rhapsody in Blue clearly has "something" to do with the banjo, considering the fact that it is in the original 1924 arrangement as well as the 1926 and 1942 arrangements. It was so nice to touch base with someone on this finally.
Timings match version with William Tritt, piano. This section, where the piano is silent in the original, I haven't worked on for that reason. She did give me a nice piece of feedback that made me feel better about how the rest of the musicians felt about a banjo being in there with them. Some chords would still probably have to be re-voiced. Joris, the author of this article, recommends the following resource: Piano tutorials: learn the 10 easiest songs. Otherwise this is a pretty decent recording and performance for only having one rehearsal the night before this show. F and C are the first notes of the left hand in the song Rhapsody in Blue. Get Rhapsody in Blue BPM. Jazz and 20th Century.
This leaves sonic space for the soloist to play his scalar passages with liberty and lightly, not having to scream out over the orchestra. The piano was stage right and quite a distance from the recording device (under my chair) which is why the piano is low in the mix. You will also hear my tremolo strumming in most places it occurs. Ferde Grofe is credited with the one most used, althoughj it wasn't his first version (the first was for a smaller ensemble) and if I recall, Gershwin did a later score.
I'm aware of the earlier recordings with Mike Pingitore on tenor banjo, who can be seen in the movie The King of Jazz from 1930 (free to watch on Youtube). I have had to play this with my natural fingernails like a classical guitarist in order to play the tremolo sections convincingly and strum like a flamenco player, anchoring my thumb between the 5th and 4th strings to mute them, and then strum with the side of my index or middle fingernail to make it sound like a tenor strum on the bottom 3 strings only. Then after 20 minutes or a half hour, return to Rhapsody and start working again, and you ought to feel a marked improvement. Wedding Day At Troldhaugen. It looks like it would be very straightforward to play on a tenor banjo as written, in standard CGDA tuning. It is a wonderful piece and I have done my best to maintain the integrity of the original sheet music in my intermediate arrangement. But the clarinet doesn't even get a chance to finish before the "powers that be" return with the funeral dirge.
I guess banjo players won't ever escape that one... I've selected the opening, mainly for a colorful (chromatic) scale that goes up and down more than an octave while the remainder of the orchestra is dancing happily – and tonally – along. Erich Kunzel, Eugene List, Cincinnati Symphony Orchestra, Telarc. "I just remember I loved it so much, you know? Tdennis - Posted - 03/20/2022: 20:48:03. Treemonisha - Act 1 no 4 - We're Goin Around. Introduction And Allegro. I guess it isn't THAT long, but I was talking about the first piano solo (that lasts more than a few measures).
In between are the other two oboes, filling out the dissonant harmony. Reply #4 on: February 19, 2016, 08:12:16 PM. My realization after this experience was that all the banjo players who ever tried to do this before with 70 other instruments, probably gave up because they were being drowned out, or the conductor decided it didn't matter because he was being drowned out, or they didn't want the sound or the look of the banjo in there anyway - or a combination of these. Posts: 8. on: February 12, 2016, 04:35:19 PM. I'm having a hard time believing that for the last 80 years this arrangement has existed, none of the recordings have featured a banjo. We have all been so immersed in news of the Coronavirus, I don't want to write too much about it here, but you can click here to read some suggestions for piano players coping with confinement. Adapted; simplified by Honora Klarmann. The orchestra really declined under his tenure. Hahaha – Nope, just fooling.
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