White's New Yorker article about Strunk was revised to serve as an introduction. Everyone else in the room apparently knew what she was talking about, but I sat with a blank stare. Mr. Edward Appleton was the soloist, and the Boston Symphony Orchestra furnished the instrumental music. A few weeks latter my required English 101 professor insisted we hit the bookstore and buy 'The Elements of Style. '
• Facts require no advance billing. However you advise him, he will probably do as he thinks best. "I felt uneasy at posing as an expert on rhetoric, " White wrote in 1957, "when the truth is I write by ear, always with difficulty and seldom with any exact notion of what is taking place under the hood. Instead, he warned them against the "disinclination to submit to discipline. " Found an answer for the clue White's co-author of "The Elements of Style" that we don't have? Deceit or treachery he could never forgive. So vast and rude, fretted by the action of nearly three thousand years, the fragments of this architecture may often seem, at first sight, like works of nature. And toward the end, he writes, "[s]tyle takes its final shape more from attitudes of mind than from principles of composition, for, as an elderly practitioner once remarked, 'writing is an act of faith, not a trick of grammar. "' Often vaguely used in such expressions as a "lover of nature;" "poems about nature. " While Americans love movies, they also look to books and magazines for humor and other forms of entertainment. And using standard spelling ("through, " not "thru, " for example). Elementary Rules of Usage||7|. Isn't that one of the beauties of reading?
Similar in principle to the enclosing of parenthetic expressions between commas is the setting off by commas of phrases or dependent clauses preceding or following the main clause of a sentence. In summarizing a poem, story, or novel, he should preferably use the present, though he may use the past if he prefers. A mannerism of this kind, bad in speech, is even worse in writing. Or do you mean you hope you'll leave on the noon plane? You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. Do not join independent clauses by a comma||11|. "if you doubt that style is something of a mystery, try rewriting a familiar sentence and see what happens. " On the topic of the use of commas in parenthetical expressions, Hacker says, "Expressions that are distinctly parenthetical should be set off with commas. Allison DeFrees, Critical Essay on The Elements of Style, in Nonfiction Classics for Students, Gale, 2003. The chapter on commonly misused words serves the cause of clarity by reminding writers not to use "disinterested" when they mean "uninterested" or "enormity" when they mean "enormousness, " pointing out that the word pairs are not synonymous. I have made every mistake a human being can make while writing.
Call your attention to the fact that||remind you (notify you)|. White probably never meant to advise against taking chances, against drawing on all levels of language, against demolishing any rule to get attention. Major R. E. Joyce will give a lecture on Tuesday evening in Bailey Hall, to which the public is invited, on "My Experiences in Mesopotamia" at eight P. M. ||On Tuesday evening at eight P. M., Major R. Joyce will give in Bailey Hall a lecture on "My Experiences in Mesopotamia. " Consider to what extent the style White extols in The Elements of Style is reflected in his own work and how this style affects the quality of the work. It just comes out that way. What else is there, the book seems to assume, except the audience? Indeed it may be said that this simple method of indicating relationship between statements is one of the most useful devices of composition. The substantial merits of the work however lay not in this shadowy and somewhat theatrical figure but in Byron's spirited descriptions of wild or picturesque scenes and in his eloquent championing of Spain and Greece against their oppressors. Choose one of Strunk and White's rules or principles with which you disagree. When a wholly detached expression or sentence is parenthesized, the final stop comes before the last mark of parenthesis. Use this word only of matters of a kind capable of direct verification, not of matters of judgment.
It is very good for what it does, which is advise on how to write clearly and concisely. The book is divided into five parts which steered clear of my blissful ignorance: Elementary Usage of Rules, Elementary Principles of Composition, A Few Matters of Form, Words and Expressions Commonly Misused, and An Approach to Style. Unless more specific statements follow, the reader cannot tell whether the poems have to do with natural scenery, rural life, the sunset, the untracked wilderness, or the habits of squirrels. The equivalent of shall in indirect quotation after a verb in the past tense is should, not would. Do we have here a grammarian's just-so story … that teaches us that patriarchy … marked the beginning of the categorization that the colon authorizes and makes legible?
And the coddling it enjoys from the writing establishment makes rebel blood boil. Strunk and White reproduce Orwell's exercise for the same purpose. As the authors of The King's English point out, there are sentences apparently, but not really, of this type, in which the possessive is not called for. 1 page at 400 words per page). Gee, I was right when a professor corrected my sentence before because I followed this rule. This rule does not, of course, mean that the writer should entirely discard the passive voice, which is frequently convenient and sometimes necessary. He asks, "Who can confidently say what ignites a certain combination of words, causing them to explode in the mind? " At first I thought: how queer can this be? I never thought I would say this about a book, but every writer needs to read this book.
This is true not only in narrative principally concerned with action, but in writing of any kind. Note that if the second clause is preceded by an adverb, such as accordingly, besides, then, therefore, or thus, and not by a conjunction, the semicolon is still required. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. Through the middle of the valley flowed a winding stream. I am now too old to remember this basic fact.
Primarily known as a novelist, Forster also wrote short stories and essays. White follows this with words that are slung together in his own distinctive style and that beg to be quoted. And, when he advises beginning writers to avoid overwriting, he says, "Rich, ornate prose is hard to digest, generally unwholesome, and sometimes nauseating. " His books are not worth while. In his introduction written for the 1979 edition of the book, White wrote that the textbook as written by Strunk "seemed to me to contain rich deposits of gold. " Do not write nite for night, thru for through, pleez for please, unless you plan to introduce a complete system of simplified spelling and are prepared to take the consequences. Thus write, red, white, and blue.
A comparison of the three forms given above will show clearly the advantage of the first. • "One of the" is a feeble writing formula.
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