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Since the C major and A minor pentatonic scales share the same notes, we can put the two shapes together to create an extended A minor pentatonic scale shape. 3 Min Read By Ben Nemeroff. Over the I chord, use a minor pentatonic a half step down from the root of the I chord (CMaj7, B minor pentatonic). At this point you may be wondering how to play the minor pentatonic scale in different keys. And it helps you to get used to playing them all over the fretboard. Start at a level where you can comfortably play your scales in time. Forget my preferred instrument. I admit that I felt the same way. One way to bring this idea to life is to look at all of the shapes of the A minor pentatonic scale laid out next to each other across the fretboard, as below: At first glance the above diagram can look quite overwhelming. The Lick: I start this lick with a combination of arpeggios. The dots indicate the frets to press. However, when you reach the G string, you'll need to shift your hand up one fret to reach the 6th fret with your index finger to play the C# note. Lesson: Playing the B Minor Scale on Guitar.
The notes of the scale are taken from the natural minor scale, which is a 7 note scale. These were the steps I took to really grasp the shapes of the scale and how to use it in the right context: – To start with, I played the minor pentatonic shapes up and down the neck, in each of the different positions in A minor. I'm looking to expand my knowledge and learn to throw some jazz orientated ideas in there. My aim here was to 'meander' across the fretboard and move between each of the different positions as much as possible. King plays the B minor pentatonic scale throughout the song, 'The Thrill Is Gone'. Tip: swipe to see more. If you play this shape using eighth notes at 80 beats per minute (BPM), this is what it sounds like: Like the first shape of the minor pentatonic, shape 2 is quite easy to memorise. Here's another way to visualize the scale shape. Looking For a Chord? Notice that the notes repeat along the entire width of the fretboard, based on the formula for the scale. The yellow dots indicate the root note of the scale. Conversely, the notes that appear within the minor pentatonic scale are as follows: A C D E G. 1 b3 4 5 b7. I appreciate that there is a lot of information to take in here.
When you solo over a chord progression built from these chords, the minor pentatonic scale makes a great choice. With that said, let's take a look at the guitar tab for the version of the B minor scale we just studied. B minor seven flat five pentatonic scale. Typically, I find that shapes 3 and 4 of the minor pentatonic scale are the most difficult to remember. Flute Fingering Chart. In short, once you've found out where the first shape of the minor pentatonic scale is in any given key, you can quite quickly work out the rest of the shapes in that key. Begin at the 3rd fret, and work your way up the neck as shown above, until you reach the 15th fret.
The great news, is that playing the minor pentatonic scale in different keys is pretty straight forward. The easiest ways to learn and practice the minor pentatonic scale. Let's start with a scale form you may already know (if not, it is a very common scale form for guitar). I do a little bar at the 1st, and second string is the seventh fret, after that I play 2nd string, I do seven, and ten, then I do it again. Just like the other scale shapes we looked at, you can move this entire shape to other keys as well. B Minor Chord 3 Notes: B D F# (1-b3-5). There are many different ways you can play a B minor scale on your guitar. You can create some beautiful licks in this position – particularly on the top 2 strings. Below then, I have outlined the 5 shapes of the minor pentatonic scale. I did this until I was familiar with the different positions of the minor pentatonic scale in these alternate keys. JGuitar's scale calculator will draw scale diagrams showing the fretboard with notes in the selected scale highlighted.
This is because it is not as easy to create licks with this shape as it is with some of the others listed here. B Minor Seventh, E Minor Seventh, F# Minor Seventh. You can listen for the B minor scale to make an appearance in a wide range of musical styles and genres. If you want to play lead guitar, then learning the minor pentatonic scale is one of the best places to start. I often use this as a warm up exercise to get my fingers moving and to improve my sense of timing and rhythm.
This is just one way of getting some very cool sounds out of a ii-V7-I-VI7 progression. Theoretically, what is happening here is the same as what is happening for the V7 chord, just up a whole-step. If we take this idea and move it into all 12 keys, we get these changes paired with the following scales (mp stands of minor pentatonic): Key of C. A mp Bb mp B mp C mp. Hit "Go" to see the result. This bend in the first finger on the 9th fret third string, with my fourth finger a plate is t9 and sam-7 favorite and what I do is pick chance in the 9th fret. The background track is from the intro to another tripfuse song called "These Voices of Mine". This is one my favorite jazz education videos on youtube… the perspective of is that of a brilliant guitarist, but any instrumentalist could use these concepts. Let me know how you get on, and if you have questions, drop a note in the comments section, or send me an email on I'd love to help.
When I'm doing some pull off in between the 9th and the 10th, then I go to the 4th string and I go a little bar with my third finger. The tapping section is a little tricky as I'm using my second and third fingers to do the tapping while still gripping the pick. Besides using scales, we can and should practice using arpeggios. Unlike the first exercise, I would recommend choosing a BPM that feels fast but manageable. This is what the tablature version of the above shape looks like: And if you play this shape using eighth notes at 80 beats per minute (BPM), this is what it sounds like: This is the easiest and most recognisable shape of the minor pentatonic scale. Learn How to Improvise using Jam Tracks.
Here are the 5 basic fingerings. The light blue circles show the tonic notes in the scale. How to play these shapes in a range of different keys. It is a nice and symmetrical shape and one that you can use to create a whole range of beautiful blues and rock licks. The video and material on this page is the beginning of a complete series on improving and soloing like a pro. There are more traditional ways, of course, and other modern ways of approaching the changes.
The red notes (and the black notes) dictate which notes are pentatonic within the A minor scale. The minor pentatonic scale is by far the most commonly occurring scale in blues and rock music. So if we stick with the key of A minor we can see that shape 5 appears twice – once at the 15th fret (as shown above) but also once starting on the 3rd fret, as shown below: In this way, once you have a basic understanding of the different shapes of the minor pentatonic scale and how they fit together, it becomes easier to manoeuvre around the the fretboard. As I mentioned earlier, part of what makes the minor pentatonic scale so popular is that you can use it in a lot of different soloing situations. In G minor the second shape of the scale starts at the 6th fret and the third shape appears at the 8th fret. Then without pausing, work your way back down to the 3rd fret. Pay attention to the differences in pitch as you play the same scale on different parts of your fretboard. Committing the shapes to memory. There are a whole range of famous blues and blues-rock songs that have solos and riffs that are constructed using the minor pentatonic scale.
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