Luchadoras – Mexican Female Masked Wrestlers by Alma Lopez. If interested in knowing more about this controversy, purchase book titled, Our Lady of Controversy: Alma Lopez's "Irreverent" Apparition edited by Alicia Gaspar de Alba and Alma lopez, published by University of Texas Press at. American Visual Memoirs after the 1970sThe Wound Which Speaks of Unremembered Time: Nan Goldin's Cookie Portfolio and the Autobiographics of Mourning. Central to the collection is the notion of re-visionist art and decolonising colonial images. In, she was always silent about her rape. Lopez gained notoriety in 2001, when the Catholic Church attempted to censor her digital print, Our Lady, which was showcased in the exhibition Cyber Arte: Where Technology Meets Tradition, curated by Tey Marianna Nunn at the Museum of International Folk Art in Santa Fe, New Mexico. You didn't ask to be. "Depiction of the Virgin of Guadalupe Stirs Objections" Los Angeles Times, (April 4), 2001. Physical description. In it, Our Lady of Gudalupe-Tonantzin. Her image has been refigured by several generations of Chicana feminist artists, including Alma López. Berkeley, Los Angeles: University of California Press.
I see Chicanas who understand faith. And a desire to honor the sacred feminine in a world that daily dishonors. My heart is full with love because of you. The contested image and the controversy it garnered are at the heart of the edited collection Our Lady of Controversy: Alma López's Irreverent Apparition, edited by Alicia Gaspar de Alba and Alma López. Her piece "Our Lady" and many of her other works have been seen as controversial pieces. Raquel Salinas, Raquel Gutierrez and I grew up in Los Angeles with the image of the Virgen in our homes and community. Speech and a sacred symbol is a woman who when asked if she has ever doubted. With the Zapatistas for farmworker rights and garment workers. While ostensibly a narrow topic, Gaspar de Alba, López, and their contributors prove that all of the fuss over this single image resonates over much larger terrain, invoking philosophical and practical concerns ranging from the rights of artists, religious and spiritual expression, the representation of queer sexuality, and the state of feminism within the Chicano and Hispanic communities. Devil in a rose bikini. Whether battling threats from outraged Catholics accusing her of desecrating a sacred icon in New Mexico or finding her mural defaced by biblical quotes in San Francisco, lesbian artist Alma Lopez faces ongoing persecution for her innovative artwork.
Use Next and Previous buttons to navigate. Chicana/Latina Studies 7. Digital Print, 1999. By deploying critical race psychoanalysis and semiotics, we can unpack the libidinal investments in the brown female body, as seen in both in popular investments in protecting the Catholic version of the Virgin of Guadalupe and Chicana feminist reinterpretations. It's Not about the Santa in My Fe, but about the Santa Fe in My Santa (Alma Lopez) Appendix: Selected Viewer Comments About the Contributors Index. The Virgin of Guadalupe: an Image of a Superhero for Chicana Artists. February-December 2001: "Cyber Arte, " Museum of International Folk Art, Santa Fe, NM. The difference, according to Lopez, is all about gender: "In churches throughout the United States, Europe, Mexico, you see images of nude angels and nude crucifixions, but they are primarily nude male bodies. Sadly, the anti-gay commentary on the mural quoted Galatians 5:16, 5:19-23, 5:25 from the Bible ("But I say walk by the Spirit and do not gratify the desires of the the works of the flesh are plain: fornication, impurity, licentiousness.. ). These are eternal questions that Lopez, the latest in a long line of artistic innovators, answers with her work. "When I saw that brutality, I committed my life toward. I know that not everyone likes my work, but no one person has the right to remove it and therefore prevent others from seeing it. Several months before its scheduled closing in February? Without a doubt, Our Lady of Controversy is an important volume in Chicana visual cultural studies.
Although, there are people like Mr. Villegas who are offended by the "Our Lady" digital print, not everyone agrees that it should be removed. The collection takes a balanced approach to the controversy with the inclusion of an extensive appendix of selected viewer comments, which provides an outlet for public opinion and a wholesome view of the controversy for readers. This 47-minute video documents a roundtable discussion about controversial Virgin of Guadalupe visual work with Ester Hernandez, Yolanda M. Lopez and Alma Lopez.. Feminist Formations 29 (3): 49-79"Locating A Transborder Archive of Queer Chicana Feminist and Mexican Lesbian Feminist Art". Through the writings of Sandra Cisneros -- who in one of her stories wonders.
Lopez views her work as part of a long Chicana tradition. 3-3/4Guadalupe: Image of Submission or Solidarity? It's Not about the Art in the Folk, It's about the Folks in the Art: A Curator's Tale (Tey Marianna Nunn). Such oppositions include private/public, church/state, virgin/whore, masculine/feminine, insider/outsider, artistic autonomy/artistic subordination and tradition/progression. Alma López's piece depicts the Virgin of Guadalupe clad in wreaths of roses, elevated by a bare-breasted butterfly angel, and adorned with a cloak embossed with symbols of Coyolxauhqui, the Aztec moon goddess. Queering the Sacred: Love as Oppositional Consciousness in Alma Lopez's Visual Art (Clara Roman-Odio). 0 International License.
In 2001, Chicana artist Alma López, curator Tey Mariana Nunn, and Santa Fe's Museum of International Folk Art (MOIFA) unexpectedly found themselves at the center of a heated controversy. Nunn takes a unique auto-ethnographical approach, merging her motives behind the exhibition and her experiences over the course of the controversy with scholarly research. COPYRIGHT 2001 UNIVERSAL PRESS SYNDICATE. New Mexico Archbishop Michael J. Sheehan has joined him, calling the artwork sacrilegious. " This chapter examines Nan Goldin's Cookie Portfolio, the well-known series of photographs of her good friend Cookie Mueller from the beginning of their relationship (1976) until Mueller's death (1989), in order to answer several questions about visuality, autobiography, marginality and death. Chicana feminist cultural work—such as the art of Alma López, performances by Selena Quintanilla, and writings by Sandra Cisneros and John Rechy—expand the queer and Chicana identifications and desires, and contest narrow, patriarchal nationalisms. The 9-month controversy took on local, national, and international importance, and brought questions of community representation, institutional autonomy in a public museum, and an artist's first-amendment rights into bold relief.
More than a religious symbol, the imagemaker says she saw the icon as an artistic one—a public fixture whose roots are more cultural than spiritual. It didn't help when her sexual orientation was brought into the mix.
keepcovidfree.net, 2024