And I think when we were in New England for 20 years together, they got tired of writing the same story. She is a very intense interviewer. And she was like, no, no, no, we just didn't care. But can you talk a little bit about that process of mutually deciding what should be revealed in the film, what had larger meaning and what was just, like, too personal and maybe didn't have the larger meaning and should just be kept personal? Now if you'll excuse me, I'm going to go figure out how to use these quotes in a Valentine's Card. So, like, do you feel like a different person as an activist now it's - I don't think it's a role that you had played before becoming an activist around OxyContin and harm reduction. And we're going to make a blizzard of prescriptions that will bury the competition. The Audio of Brady Dunking on the Media Who Tried to Drive Him and Belichick Apart is Sweet, Sweet Music | Barstool Sports. It made her really uncomfortable. And then after a few years, I was - didn't want to hear anything. I don't see where he needs to polish his public image any. He and I always had a great relationship and we met all the time. GROSS: I want to thank you for talking with us.
But we always respected each other. Every stereotype I didn't fulfill was an excuse for more mockery. GOLDIN: Fentanyl is in all the drug supply now, and it's moving the needle on the overdose crisis, too. And somebody sold me something that I thought was heroin, and it was fentanyl.
Was it Barbara who told you? I show myself battered, and in different countries, women have come up to me and said, I couldn't show myself. I was present during ACT UP. My peers called me "weird" because I struggled to read social cues.
Because they look like art pieces. My work is to make records that nobody could re-edit or deny, and that was the same with this work. They're kind of frozen in time, those images. It was Times Square when Times Square was Times Square, before it became Disneyland. Read: We Need to Talk About ADHD Stigma in BIPOC Communities. And I didn't see that as a protective thing. GOLDIN: I'm a real survivor. I saw it through a coach's eyes. Unfortunately, I didn't get fully involved. Exuse me this is my room raw milk. And it was very important to me to have a record of what really happened. I mean, where do you even start? There's has been a sweeping epic that has transcended all time and space. But they were photos of her friends, people who were considered social outcasts like drag queens and other queer people and people in the underground art and music scene.
But I also realize the magnitude of their deaths. And then we happened to have a chance meeting. Exuse me this is my room raw data. Nan, as a photographer who works in slideshows and controls the narrative that the slides in that show are telling and who keeps reconstructing the narrative by switching around the order of the slides and substituting some slides for other slides, in making this film, you had to hand over some of the control of that story to Laura Poitras, the director. I don't have the same community. NPR transcripts are created on a rush deadline by an NPR contractor. And she actually began the film. And then I got - and I met Brian there.
Most women, at least in those days, something like 90% of women, went back to the men who battered them. Poitras and Goldin are also producers of the film. I couldn't talk about it until I saw these images. Your readership and support help make our content and outreach possible. You want to be there. Excuse me this is my room raw manga. It was the beginning of people starting to go to galleries. I mean, you overdosed, but you didn't die. We'll be right back. This is him setting the record straight.
They felt very large and dangerous to me, whether or not they were. I mean, I didn't realize I was old until I went to a clinic in 2017. GROSS: So it really was like an art piece in an art museum protesting the Sackler family. So riddle me this: Why is this being said now? It's an acronym for Prescription Addiction Intervention Now.
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