While the album also has a few other relatively normal songs ("Push Th' Little Daisies" was a minor hit single for reasons I can't fathom, but it's ok enough; "Sarah" is a really nice downbeat pop ballad, and "I Saw Gener Cryin' in His Sleep" is fun country-ish rock only made weird by the off-key chorus), the quintessential Pure Guava tracks are built around bizarre ideas that only Ween could have thought were good enough to consider fleshing out. And if u taste the candy. I don't like being taken for granted like that, I mean, I'm not one who thinks that simply writing a song about a child dying of meningitis is automatically "edgy". Am]Stare into the lion's eyes, [G]and [F]if you taste the candy. DON'T GET 2 CLOSE Lyrics - WEEN | eLyrics.net. I love how "El Camino" initiates the band's realization that two white guys from Pennsylvania singing in a mock-Spanish manner is inexplicably funny. Ween forumers got to vote on which songs they wanted to hear, and the band performed them.
They also refer to a female spouse or girlfriend as a "yak" and boyfriends as a "cak". Of the other six, the two most upbeat ones ("Japanese Cowboy, " "Pretty Girl") always strike me as decent and not much more, but the other ones resonate with me quite a bit. Inaudible ranting for a bit). State this ache as the final break. Plus, as a bridge between "Candi" and "The HIV Song, " it makes the overall listening experience even more bizarre. THE GOIN' GETS TOUGH FROM THE GETGO. Flying into the wind now. He's sort of like Mr. Myxyptlk from Superman. Ween - Don't Get 2 Close (2 My Fantasy) spanish translation. This was a pivotal moment for Ween as it changed their audience almost overnight to smelly, dirty rotten scumbag hippies. I laugh inside every time I hear the end, and if you have one of the later pressings that cuts out after the introduction of Ali (Ali's lawyers demanded that it be removed, but early pressings accidentally included it anyway), you should try to find one that has the speech in order to get the full effect. It's pretty easy to guess that the opening "Tastes Good on th' Bun" comes from the sessions for The Pod, what with the ugly (in an intriguing way) combination of the cheap drum machine, the crunchy guitars and the distorted vocals endlessly repeating a nonsense phrase.
As far as effects go, there's: Talkbox Vox Wah Digitech Whammy. This translates to every song on the album, really. Naturally, this ended up a bit as an album without a clear fanbase; country fans would have plenty of reason to sneer at it, and fans of Ween from the beginning would have felt incredibly confused and maybe even kinda betrayed. I wanna get close to you lyrics. Gener was tripping or something, and decided to go down to the lobby for crackers (this is all from hearsay, so expect this story to change). I could make the point that Buenas Tardes Amigo does the same, but that one bores me instead. Never sit alone on a hot sticky noon. Helding the time back from the sun. "I Got to Put the Hammer Down" is another song in a genre I don't normally care about, but I absolutely love this song; the lyrics (I guess they're about being a big-wig with a drug habit) are hilariously sleazy, and the nasty guitar part in the last minute meshes very well with the synth-y foundation. Some woman down on main st.
Repeat chorus twice]. This also led to tremendously varied live shows; by the end, they could very easily play a show one night where they'd play a total of two tracks from the first three albums, and immediately follow the next night with six songs from The Pod and an acoustic set just because they felt like having one. Best song: Pretty much everything. Ween don't get 2 close lyrics chords. The "story" of the lyrics goes nowhere, of course, but somehow the quiet silly banality (it's impossible for me not to smirk a little bit after a while at the melodrama of the phrase "Fluffy on the porch") of the lyrics loops around and becomes poigniant, giving a quiet majesty to the proceedings. I don't mean the kind of prog rock that appeared on The Mollusk or Quebec, I mean full-out genuine multi-part 11-minutes-long 60s/70s throwback prog rock, with lyrics like "Ocean is land/ocean is land covered with water, " and the only instance where Dean's favored live playing style made it onto a studio track.
Ween live is pretty different from Ween studio; not only does Gene's voice sound surprisingly different (he would use vocal effects and weird vocal approaches that he wouldn't bother attempting live), but the band placed a much heavier emphasis on guitars, and they had no qualms about turning songs into extended vehicles for Dean's noise jamming. Mickey's day job isn't playing guitar. Yup, if there's a reason that The Pod is better suited for listening to in snippets or in single tracks when your iPod is on shuffle, it would be these songs. This photo, instead, is in the gatefold of the album. All I know is that Chocolate and Cheese is the sound of Ween enamoured with themselves; it's 50 minutes of masturbation, in the worst possible sense of the word. Ween don't get 2 close lyrics song. Ween are making a full blown artistic. Hey, expand you're horizons pal. Note that I said "almost. " If you think you're a Ween fan, you should probably get this, but definitely get it after all of their other studio albums.
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